The Killing (1956)

Rated PG. Tough movie, but not tough language

HyperFocal: 0

You know we’re talking about a master filmmaker when this channel has already covered more than half of the man’s titles and we’re only now getting to this gritty crime classic. The Killing was early in Stanley Kubrick’s career, so he wasn’t yet at the top of his game as he would be for the next 40+ years. Still, there’s plenty of examples of the technical prowess that would come to be trademark Kubrick. Fittingly, the complex plot even resembles a chess game. We weren’t seeing eye to eye about the work of tough-but-sometimes-sweet Sterling Hayden or the ultra-fatal femme fatale Marie Windsor. We did see eye to eye that the best part of the movie is the last half-hour. So get your listening device ready and make a clean break out to the race track as the 405th Ellises’ Analysis talks about The Killing.

Well, Actually: Elisha Cook Jr. is named Mr. Micklas (not “Nicklas”) and is the landlord at the Dakota Building in Rosemary’s Baby.

Planning the perfect robbery would go smoother with Sparkplug Coffee in a cup beside you. If you like getting 20% discounts, well, they’ll give you one if you just enter our promo code of “top100project” when you’re ready to pay the bill. And pay the bill please. No theft.

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Scoring At The Movies is Ryan’s other podcast, where sports films are discussed

LINKS:

Coming Attractions Trivia Answer: ???

Rotten Tomatoes reviews

1956 Box Office

AFI’s Top 100 Lists

1956 in film

Links to: Reservoir Dogs and Kubrick’s Wikipedia page

Previously on The Ellises’ Analysis: A Fish Called Wanda

August 30th on The Ellises’ Analysis: Persona